PRODUCTION
Rebecca Johnson directed the film in Brixton. She chose to tell this particular story because she has been working in Brixton with young people for more than 10 years therefore, she could see how this film could relate to lots of young people all over London. It is a cliche and a typical modern day story with the themes such as gender: how girls struggle to be in a mans world and also showed struggle and how young people could be outsiders. Furthermore, this film was based on a real story so Rebecca wanted to bring awareness to people and how serious these situations are for some of the young people in our society and how our society should start empaphising and understanding young people.Rebecca Johnson found it difficult to find a producer for the film, but eventually she was able to find Sarah Sulick who she had a link with. Sarah Sulick (the producer of the film) introduced Rebecca Johnson to two production companies: Fierce production and Bright Pictures.
Due to the film being an independent film they had to find a way to fund the film. They raise the funds for the film by online campaigns, donations from The Walcot Foundation and crowd funding. The budget for the film was under £1 million.
The film's cast was found through street casting around Brixton, agencies,theaters, schools and community centrals. She chose these locations because she wanted to a more authentic performance therefore she chose people that could make it realistic as possible and have grown around the area instead of professional actors who wouldn't be as believable.
Rebecca Johnson collaborated with Fierce Productions and Sarah Sulick to make the film. This was important so that the project can come out how she wanted it to come out.
The technologys that has sed to make the film are Music, ADR, Sound design and Grading.
DISTRIBUTION
The film was distributed by Anchor Bay. Anchor Bay has also distributed in other films such as:The Cat O'Nine Tails, Suspiria, The card player, Inferno, Tenebre and many more.
The target audience for the Honey traps are young urban adults/ teenagers aged 15-25 years old, both sexes that also appeal to the soundtrack in relation to the film.
MARKETING
The marketing tools that have been used to promote the film to different audiences are: Facebook, Twitter, Tumblr, youtube trailer, posters and BBC interviews.